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European Silver & Enamel


Enamelwork in the 18th and 19th centuries had innate properties which allowed it to be both functional and beautiful. Enamel offered a medium which retained its colour whilst seamlessly covering an item with a glazed surface. It was also relatively easy to clean and pleasant to touch. This technique was often chosen for scent bottles, snuff boxes, and other small items.


The components of enamel are a tough type of glass and a copper base. The two are then fused together with intense heat. When it comes to the decoration, transfer painting was the easiest method. The items would later be retouched with a paintbrush. After this, the piece would be mounted in gilded alloy or brass. This

enamel box

mounting was essential as the enamel work would never cover the very edge of the piece. If the edges of enamel were exposed it would be more likely to chip.


Two of the main centres for enamelwork in Europe were Geneva and Vienna. These two centres offered subtly different designs. For scenic pictures, the Viennese painters and enamellers introduced the use of a tinted background of light pink or very pale yellow. This contrasted the stark white background preferred by the Genevans. These techniques reflected the style of Rococo artists such as Francois Boucher. The chosen colours would complement the pastoral designs depicted in the enamelwork.


Enamel crafted within the UK was often referred to as ‘Battersea enamel’ after the London factory in which items were made. Upon further research however, this name proves misleading; enamel was also made in many other places including Birmingham and Liverpool. Within the UK, popular enamel motifs included flowers, pastoral scenes and mottoes. In addition, famous European art works were frequently copied in enamel form. This was a possibility as copyright laws were not yet rigidly established.


The decline of intricate enamel work began around the end of the 18th century. It was at this point when mass manufacturing was on the rise and quantity was often chosen for over quality.


 
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Andrew Campbell started trading in antiques during the 1970s. Initially, Andrew lived in the South of England, travelling the country, searching for items of silver to buy. Andrew sold these items at various London markets and antique fairs. Over time, and through selling at a range of venues, Andrew built up a large and diverse customer base from private buyers to national and international trade customers.
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